The sort of economies of signs and space that became pervasive in the wake of organized capitalism do not just lead to increasing meaninglessness, homogenization, abstraction, anomie and the deconstruction of the subject. Another set of radically divergent processes is simultaneously taking place. These processes may open up possibilities for the recasting of meaning in work and leisure, for the reconstitution of community and the particular, for the reconstruction of a transmogrified subjectivity, of space and everyday life.
Scott Lash & John Urry
The landscape in which we move is becoming increasingly artificial. There is much talk of a second modernity. Old values and instruments no longer work. Property developers, architects, artists, banks, the media, scientists and multinationals are all devising new spaces and images in order to give a lead to this new reality. This incoherent situation allows for plenty of room for experiment. The smoothly operating newness of everyday moments is something that attracts many innovative or critical designers. A vacuum has been created in which an unprecedented degree of innovation has a chance of success because nobody knows what the appropriate response to this situation really is. Research, analysis and experiment are being promoted by almost all the parties that have a stake in the artificial landscape. There is scope for a host of inventors of the new.
In this article I want to describe the potential and the dangers of a strategy that makes no bones about operating, not outside the second modernity, but quite specifically in and with the complexity of "ordinary" everyday life with all its contradictions. True, many experiments do not go beyond a tendency that I will call Fresh Conservatism. In the end Fresh Conservatism achieves the opposite of the potential behind the basic principles of this approach. Simply defined, Fresh Conservatism is a tendency that presents the normally discreet character of conservatism in a spectacularly fresh fashion, as a work of art. This freshness is of course itself an inseparable part of our conservative industry of spectacle. [More ... see PDF]
Fresh Conservatism has been published in several magazines and books. Different versions (longer, shorter, abridged) have been published in Archplus, Archis, Arch+, The Artificial Landscape, The Metapolis Distionary of Advanced Architecture and more ...
Only Quaderns published the complete version.
In the television documentary "Snack Art " (VPRO, Dutch television) Fresh Conservatism played a prominent role.
Landscape of Normality